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Angela Barrows is a man-eating business woman sent by her American employer to investigate their export opportunities in Edinburgh. En route she meets Robert MacPherson a businessman who asks for her help to bring his company into the 20th Century. The staff, led by Mr Martin has other ideas though, and a battle between the old and new business methods soon breaks out.
Three to one may sound like fairly good odds, but it depends on the game. When the “one” is one very irresistible woman and the “three” are three hopelessly smitten guys, the deck is pretty stacked. In the battle of the sexes, the first rule is to never underestimate the power of a woman.
Written and directed by Windsor’s own Mike Stasko, Boys vs. Girls is loosely based on his experiences at a summer camp during the 90s. When camps around the country were shutting down every year and Camp Kitchikewana made the economically necessary move to turn co-ed, the result was a very real clash of the sexes. In the summer of 1990, the film sees Camp Kindlewood forced to go co-ed for the first time in its seventy-year existence. Camp Director Roger (Colin Mochrie) tries to keep the camp off the corporate chopping block, but after an awkward encounter between head counsellors Dale (Eric Osborne) and Amber (Rachel Dagenais), all bets are off. Rallying their sides in an attempt to win back their camp and gain dominance over what they feel is rightfully theirs, this battle of the sexes sets off a series of pranks, fueled by camp caretaker Coffee (Kevin McDonald), as the boys and girls fight for their summertime home.
Sua and Jib are like any other couple in this world except for one exception: for the past 5 years they have kept their relationship a secret since the bank where they are employed has a strict “No Fraternization” policy. It’s not a big deal until they decide to get married. The only problem? Which one of these two Type-A overachievers will put marriage before a career and resign? With neither willing to take the leap of faith they both turn incident into opportunity when an ATM glitch in Chonburi province cashes out over $130,000 baht. The terms are simple: whoever is able to recover the money first gets to keep their job. The couple will turn into no holds barred competitors. Who will literally “go big” in their career or “go home” in this romantic comedy about what two people won’t do for each other in the name of love? It’s the age old battle of the sexes but this time around how can victory be easily declared in a war…
This film adaptation of Irving Berlin’s classic musical stars Betty Hutton as gunslinger Annie Oakley, who romances fellow sharpshooter Frank Butler (Howard Keel) as they travel with Buffalo Bill’s Wild West Show. Previously off target when it comes to love, Annie proves you can get a man with a gun in this battle-of-the-sexes extravaganza, which features timeless numbers like “Anything You Can Do” and “There’s No Business Like Show Business.”
When two freshmen pledges are accepted into the biggest party frat on campus, they think they have it all. That is, until the assistant dean forces the Alphas to share their house with a sorority or face expulsion from school. Not wanting to see their lifelong dream of becoming Alphas destroyed, the pledges convince the other members of the house to take back what’s theirs, waging an epic battle of the sexes to fight for their right to party.
Caleb Peterson has it all-a great job, plenty of money, and a fine fiancée in former model Paisley Terrell. They’re all set to get married just as soon as she signs a prenuptial agreement, but there’s just one problem…”Paisley don’t do pre-nups!” As war wages and trusts start to crumble, it turns into a battle of the sexes.
